Tuesday, September 28, 2010

Sign ID 9-28-10 Wk 7

Tomas Transtormer
"Sketch in October"


  • very tight and controlled, almost William Carlos Williams maybe?
  • operates on tense but seemingly flat language
  • offers a question- call and response tactic?
  • extinguished lamps-reduction?
  • trees act as signal lights, why?
  • "shore" line 3. numerous potential metaphorical 
  • trees have agency, obvious play and reversal here
  • people have no agency as they require machines for movement. How can I complicate this?
  • mushrooms as fingers-again no human agency- why mushrooms? what implications might i be missing here?
  • Transtormer defines the someone (line 7) as male. Possible feminist reclamation trope at work? Prufrock like impotence?
  • Yet we (humanity) belong to the Earth. Evidence that power, female or otherwise is futile?
  • Similar maybe to Frost's Design or Desert Places? 

Pedagogy Post 9/28/10 Week 7

I've had a few discussions with fellow graduate students over the past weeks where I've generally posed the same question. This is: What am I/we really paying for in terms of the coveted M.A? I wonder about this for a variety of reasons. I remember thinking to myself and vocalizing this idea to others that, I wish I could go one day where I didn't feel like I was behind the wheel with a thousand things to do. I suppose part of the reason why I can appreciate this constant sweat is because of the "old school" mentality that one has to put in their time in the trenches and earn their stripes.
I raised these questions to Dr. Davidson the other day and it made me remember a few things. Yes, there is a large intrinsic value to earning ones stripes but obviously there is equal value in establishing a hybrid environment where we attempt to buttress the hard-nosed gut check with the firm but loving criticism mentality.

Another question I had in all of this mess: Obviously no one wants to think that we are being trained simply as replacements, but rather that we craft ourselves and our skills to be part of the machine that is academia. But, I wonder? Just how much are we being tailored as replacements?  I feel that this question bears more weight and significance especially since our class has a mixture of English and education students. I can't necessarily bash the idea of being made into a replacement, because they have to come from somewhere eventually right? I dunno guy, the jury is still out on this one, What do you think?

Monday, September 27, 2010

Junk Quotes 9-27-10 Week 7

Try to play any instrument such that it's only an extension of your finger tips.

-Doug Kees, my former music teacher

The things that go on in broad daylight, it boggles the imagination.

- my uncle discussing the rate of crime in Las Vegas.

Think of Judo as a way to just be lazy, except you have to exercise and you get to throw people.

-Hap, my former Judo coach

Thursday, September 23, 2010

Free Post Week 7

I thought everyone might enjoy this poem. It reminds me that poetry really can be quite funny. Enjoy


What I Want
By George Bilgere
          for my marriage, 1996-2000
I want a good night’s sleep.
I want to get up without feeling
That to waken is to plunge through a trap door.
I want to ride my motorcycle
In late spring through the Elysian Fields
Of the Rocky Mountains
And lie once more with Cecelia
In the summer of 1985
On a blanket in the backyard of our house
In Denver and watch the clouds expand.
And it would be great to see my mother
Alive again, at the stove, frying a pan of noodles
Into the peculiar carbonized disc that has never been replicated.
I would like for my ex-wife to get leprosy,
Her beauty falling away in little chunks
To the disgust of everyone in the chic café
Where she exercises her gift
For doing absolutely nothing.
*   *    *
I want world peace.
I want to come home one evening
And find Julia, the new assistant professor
In the history department,
Has let herself into my apartment
For the express purpose of lecturing me
On the history of lingerie.
I don’t ask for much: a good merlot.
An afternoon thunderstorm cooling off
The city as I sit listening to Ella
Sing “Spring is Here,” so the air goes lyrical
And perhaps a stray bolt of lightening
Strikes my ex-wife as she steps from her car,
Setting her on fire, to the unqualified delight
Of the friends she has come to visit,
Who are thoroughly sick of her self-aggrandizing stories.
I want to spark a bowl of Maui Wowie
And spend the entire afternoon in my dorm room
*   *    *
With Corrine Spellman, trying to remember
What we were talking about, wondering
Whether, in fact, we had had sex yet.
I’d like to sit at the little outdoor restaurant
By the lake in Forest Park, talking with my aunt
In the humid summer twilight, as the hot
St. Louis day expires upon the water
And the moth-eaten Chinese lanterns
Glow like faded Kodachrome.
We would argue about the great tenor voices
Of the century, or causes for the dearth
Of poetry about the Gulf War,
Or why my father drank himself into an elegy
We never stop revising,
While couples on their paddleboats come in
From the darkening lake, as they’ve done
Since the beginning of time, and children
Call each other across the shadowy fields.
*   *    *
Yes, that would be nice.
I want a good woman
With a sweet bosom
And a wicked sense of humor.
I want to wake up in London on a spring morning
And read in the paper that my ex-wife
Has received a lethal injection, courtesy of the state
Of Ohio, as part of a citywide program aimed
At improving the civic pride of Cleveland,
But something went terribly wrong
And she’s been left in a persistent
Vegetative state
Which everyone agrees
Is nonetheless an improvement.
And it would be wonderful
To sit down with Maria
At our favorite restaurant in Madrid
With some good red wine
*   *    *
And listen to her Spanish
Caress the evening.
I want to read that a new manuscript
Of poetry by James Wright
Has been discovered in someone’s attic,
And someone I haven’t yet met,
In some future I have yet to despoil
Has bought it for my birthday,
And after the kids are asleep
We sit out in the backyard,
A little drunk, and read it
Aloud to each other,
Something we often do
In summer, before climbing upstairs to the bedroom
In the big old house we love so much.

Expansion Ex. 9-23-10 Week 7

A single pair of hands gone metronome directs a smattering of primaries. Reds, blues, and yellows tuned to a surgical precision. The brass quakes and wheezes in the sweltering heat, etched into the matted grass canvas wrapped in barbed wire. Lost in their drone, the brick simmers against my shoulders. Their footfalls thumping my chest, I watch as they watch me, wondering what I'm doing. Understand them and their guttural chorus? No. I'm thinking of you, remembering your flat above the grocery on that London street that I'll never see again. You, creeping down the back stairs for chocolate and cigarettes in bare feet and the midnight of my t-shirt. I smiled at your fascination with America, the land of the free and grease wrapped in wax paper underneath the buzzing of that cracked halo. I remember stumbling up those very steps, heavy with Newcastle, your cricket bat in my hand. The haft worn slim and wrapped in orange electrical tape. Your heels clicking behind me, leaving swatches of grass along the baseboard. Your fingers sunk into the small of my back, guiding my rubber knees up to the landing. I told you that you sounded like Julie Andrews and asked you if you fancied a spot 'o tea. You kissed me, labeled me drunk, and loosed the steam, emerging thirty minutes later with my love for you nailed down alongside those aching wooden boards. I wonder sometimes, if it's still there, rising with the heat on those soaked February mornings, warm against the husband and wife who quiver, lost in their eyelids, in the fish-eye lens twilight.    

Calisthenic 9-23-10 Week 7

Emo Poetry Redux

My heart aches, circled with barbed wire.
A black river of tears streaming down my face.
Each breathe, like inhaling glass.
Why don't you love me?
My soul teeters on the dismal abyss.
My flesh grows cold because you're not here.
My blood turns to ash and I die.

Buzzwords: Garbageman, Mime, Doctor, Chef, France, Spain, Ibiza

Redux:

July 14, 1972

Propped against Bordeaux, trashcans
swallow vintaged industry left to molder
against gnarled rinds of aigues and graves.
My ears blister, left feverpink.
A tragic frown drips
over my apron's crisp white
My hushed but snarling "Mon Dieu!"
echoes across cobbled history.
The lamb grows chill,
quivering in its greasy fĂŞte.
Wallets, slurring and happy
in their bistro chairs
turn listless in
the scented 8 o'clock heat.

Saturday, September 18, 2010

Sign Analysis 9-18-10 Week 6

Robert Lowell
"Quaker Graveyard in Nantucket"


  • subverts traditional elegy 
  • poem appears to "pull reader along." possible textualization of sea currents? 
  • extensive use of Germanic monosyllables. piece appears to fold in on itself...evidence of more textual "acting" ?
  • line 12: "weight the body [...]return..." keeps tradition of burying dead at sea--entrance of monstrous with death, esp. violent death
  • embodying Night with nautical terms and therefore human qualities. 
  • numerous invocation of Greek pantheon and mythos? How does this stack against a Quaker, definitively Christian context?
  • line 35. "sea trembles at your death". Notion of fear in death? Is death then a separate agent, which renders the sea vulnerable?
  • line 36: "lash" As if the sea can be tied down. Can it be tied down? What does this say in relation to the Man v. Nature concept?
  • line 39: Why do we have this question mark here? what is implied with the punctuation here? Can bluefish even be caught? Potential sarcasm loaded into this question mark?
  • line 50: Guns cradled on the tide....poem shifts if only for a moment to its traditional association as a repository. Yet the sea cradles violence. What do we we do with this?
  • Continuous allusions to _Moby Dick_ throughout. Why? Is this a potential sign of college educated youth, or something more?
More will follow shortly....

Friday, September 17, 2010

Free Post 9-17-10 Week 6


Paolo

"O anime affanate, venite a noi parlar, s'altri nol niega!"

O battered souls, if One does  not forbid it, speak with us!"


(Dante's Inferno, Canto 5)

-----------------------------------
I feel her hands snap shut, 
the feel of quaking steel. 
No longer my own, her hips twist. 
Her arms pull me into plummet. 
My shoulders snarl against 
the vapor stone of her palms.
My head stitched to her hollow chest.
I leave my words with you, Poeta. 
I follow her in this, our waltz,
as the sulfur aches between us. 


Thursday, September 16, 2010

Expansion 9-16-10 Week 6

Draft taken from Free Post from week 5.

 "Scattered"

"Do not lean on the glass."
"Feel the hand stitched moccasins."
"Roll genuine arrowheads in your palms."
"Hear the aged war chants."
I remember when I first met you.
You smiled at me. Your face streaked
with paint, tinged with dormant November.
You stand in front of me, caught in mid-stride.
Steel rods nuzzled inside your calves.
The baked clay in your arm gone wishing well,
heavy with tourist's pennies.
The small plaque with its burnt copper script
calls you Grateful Hawk: proud member of the
Anasazi Nation. I call you Shannon and consider
what you've lost in the Las Vegas heat.

Wednesday, September 15, 2010

Pedagogy Post 9/15/10 Week 5

I spent a fair amount of time last night discussing with a friend of mine what it is that "makes" one a poet, or what "constitutes" a poet. The conversation remained rather interesting given that my friend isn't currently engaged in Academia/scholarship etc. on a continual every day basis like all of us are for instance. With this in mind, it made sense to me that my friend referred to me as a poet, claiming that I have "the way with words." In my personal opinion, I am a very far cry from a poet. I consider myself to be someone who is simply learning all the tools that a poet might use. More like whipping up a home-cooked meal is a far cry from a 5-star chef. But, back to my original point: What is it that makes someone a poet?  One might make the argument that a person inherits the title of poet once they have some piece of work published in some format or another. To complicate this idea further one might make the argument that a poet "earns their stripes" by gut checking their way through a creative thesis track or an MFA program, spending their time, nose to the grind and so on. As a counter to this idea I'm forced to remember and consider poets such as Emily Dickinson given that all of her work was published posthumously.  So basically what I'm left with...I still have no working definition of what constitutes a poet, but I can be sure that this definition must remain in flux along with the various Zeitgeists that we encounter. What does everyone else think?

Tuesday, September 14, 2010

Free Post Expansion Ex. 9/14/10 Week 5

I remember when I first met you in that dormant November oven of Las Vegas heat, construction paper feathers snagging your strawberry blonde. The red finger paint of war dashed your pale cheeks. You smiled at me, offering your traditional "How!", loosing a flurry of giggles from your tribe of eight year olds. The name tag hugging your rusted orange blouse reveals your Indian name as Troupe Leader: Grateful Hawk, but I just call you Shannon. Hours later, propped against Moroccan floor cushions, the hookah simmering between us, I slip the red plastic frames from your temples, revealing hazel eyes tinged a burnt copper in the hazed dark. I breathe on the glass, wiping away smudges of war paint with the black linen table cloth. You wrest the toes of your machine stitched moccasin flats into the supple Persian imitation rug, our feet twisting, vying for position.


Will continue later...

Monday, September 13, 2010

Poetry Riff Wk 5

Riff on Frank O'Hara

Ave Maria

Mothers of America
let your kids go to the movies
get them out of the house so they won't
know what you're up to
it's true that fresh air is good for the body
but what about the soul
that grows in darkness, embossed by
silvery images
and when you grow old as grow old you
must
they won't hate you
they won't criticize you they won't know
they'll be in some glamorous
country
they first saw on a Saturday afternoon or
playing hookey
they may even be grateful to you
for their first sexual experience
which only cost you a quarter
and didn't upset the peaceful
home
they will know where candy bars come
from
and gratuitous bags of popcorn
as gratuitous as leaving the movie before
it's over
with a pleasant stranger whose apartment
is in the Heaven on
Earth Bldg
near the Williamsburg Bridge
oh mothers you will have made
the little
tykes
so happy because if nobody does pick
them up in the movies
they won't know the difference
and if somebody does it'll be
sheer gravy
and they'll have been truly entertained
either way
instead of hanging around the yard
or up in their room hating you
prematurely since you won't have done
anything horribly mean
yet
except keeping them from life's darker joys
it's unforgivable the latter
so don't blame me if you won't take this
advice
and the family breaks up
and your children grow old and blind in
front of a TV set
seeing
movies you wouldn't let them see when
they were young 



Riff:


Mothers of America, that script branded to generations. Let them out of the house because "fresh air is good for the body." Who would argue with the litany of Dr. Spock look-a-likes creeping up through the fissures of years like weeds? 


But what about the spark that coughs to life, quivering inside cupped palms, of Zig-zags teetering between thumb and forefinger? That ebbing cherry, a rebellious beacon against some October midnight. 


Mothers of America, will they scowl at you? These baby faces smoked in scraps of frayed denim and hooded sweatshirts. Will they thank you, hours later, for their glimpse into exodus [withdrawal?] ? Probably. Will they mean it? 


Doubtful.


Will you smell the stale adolescence on their bodies, filling their pores like melted wax? It's likely, probably tinged with Seven Eleven patchouli and the latest cologne steeped in promises to make the even the most pock-marked face irresistible. 






Will continue....

Sunday, September 12, 2010

Pedagogy Entry 9-12-10 Wk 5

In my Sign Analyses over the past couple of weeks I've been noticing a problem. Dr. Davidson picked up on this as well. I have a tendency to move rather quickly into interpretation. I think this is really apparent in my take on Sylvia Plath, but that's I think because I've studied her extensively.  On some level I think I understand why this happens. This could possibly stem from the fact that like many of us,  I've been studying poetry and doing sign/poetry analyses just like this for a number of years. It's obviously an old hat in many ways and I think I may be delving into interpretation because of the fact that these exercises seem so familiar to me now. Obviously the key here is to slow down and really crawl my way through the poem, but I was considering any possible ways to make the exercise a little foreign again. I'm not saying that poetry gives up its signs and secrets easily, but I think its easy for studying poets and scholars to get a little complacent. I don't think that's the right word, but I hope this makes a shred of sense.

Saturday, September 11, 2010

Expansion Ex. 9-11-10 Wk 5

Tinkering with stenographer reporting


I feel her hands snag my jacket, snapping shut, tight as aching steel. My elbow, no longer my own, jerks forward. My collar's caught. I feel her turn, snuggling her hips against my thighs. Her 5'3'' coils, twisting my shoulders. Her arms, rotating, snapping, pull me into weightlessness. I mount her hip and plummet, as she smiles. 




Ippon


 In Judo, aippon literally means "one point" and wins the match. An ipponis awarded for (a) a throw that lands the opponent largely on their back in a controlled manner with speed and force; (b) for a mat hold of sufficient duration (twenty five seconds); or (c) for opponent submission.


We dance. For three minutes at a time we shuffle across the linoleum fifteen years my senior. Two inches of stiff white foam separate our toes and the cracking tiles. Your hands catch my jacket. The sweating cotton squeaks in your thin fingers. I follow your lead in this, our waltz, our arms twisting, hands snarling for the upper hand.  Your finger sink, driving high into my shoulder. My right lapel creases against the stone of your left palm. I feel as you torque yours hips, pressing them into my thighs. My right lapel folds under my left arm
 as i ride your hip, lost in weightlessness.

Calisthenics Ex. 9-11-10 Week 5

I tell you these things
that burn inbetween the planks
but, more often than not,
I don't believe them.

Falling into those minute spaces
lost underneath me,
settling, tucking into the poured slab,
the quake of our bodies
cut short by melodies

I see yesterday.
I scavenge for keys.
Another gentle minor third
slips itself into another yesterday.

The strings of  my hands twinge.
Where are we now?

Children half our age
drape our skin,
in the space between yesterday and today
thinking, of something to be done.

Junkyard Quotes 9-11-10 Week 5

a moon full of stars and astral cars 
all the figures i used to see
all my lovers were there with me
all my pasts and futures 
and we all went down in a little row boat

there was nothing to fear and nothing to doubt



Snippet from "Pyramid Song" -Radiohead

Word Association/Generation Ex. 9-11-10 Week 5

Pink                                              
curtain                                      All pink shams, everyone knows, veil nothing.
sham                                        Today you sky morsels of Hell in cold curtains        
flimsy                                        Flimsy is the hollow of yesterday. So, so are you.
morsel
today
nothing
is
so
knows
Hell
cold
veil
are
things
hollow
curtain
today
nothing
everyone
you
all

Wednesday, September 8, 2010

Junkyard Quotes 9-8-10 Wk 5

The muffin man is seated at the table in the laboratory of the utility muffin 
Research kitchen... reaching for an oversized chrome spoon he gathers an 
Intimate quantity of dried muffin remnants and brushing his scapular aside 
Procceds to dump these inside of his shirt... 
He turns to us and speaks: 

Some people like cupcakes better. I for one care less for them! 

Arrogantly twisting the sterile canvas snoot of a fully charged icing 
Anointment utensil he puts forth a quarter-ounce green rosette 
Near the summit of a dense but radiant muffin of his own design. 
Later he says: 

Some people... some people like cupcakes exclusively, while myself, I say 
There is naught nor ought there be nothing so exalted on the face of God's grey 
Earth as that prince of foods... the muffin! 


Frank Zappa "The Muffin Man"

Thursday, September 2, 2010

Expansion/Scatterbrain 9-2-10 Wk 4

I hear them, their mixed mumble, the occasional soft giggle loosed over the same conversations we've tried to have. Only this time, I'm not invited. I could be jealous, but I'm not. I imagine you sitting in the same taupe backed chair from the same collection which dots offices all across campus. Your Maryjane's slightly scuffed as you dig their noses into the thin carpet. Quite the collector, the various display of spines wrapped in leather hides, taxidermied, looking as if they'll sleep forever. Cracking one, the two of you share its marrow.

Like heroin, it floods your veins and your eyes go wide, but I know what's to come.  Tonight you'll beg me. Beg me to dip into my own stash to rid you of your shakes. You want the good stuff, I know. I tell you it'll fuck with your head. We start with Ginsberg, WCW, Rich...some real caustic shit. The needle, greasy, changes hands for hours. It really is addictive. This is what they don't show in movies or on TV. This is what people abandon their lives for. Ragged clothes and a penniless existence are a pittance for this level of high. The clock burns in the corner,  six a.m hums opposite the shade. Yet we lay, huddled and shivering through listless REM, waiting for our next fix.

Wednesday, September 1, 2010

Calisthenics Ex with Refrains/Buzz Words 9-1-10 Wk 4

I remember sinking into the red leather at midnight, high, swallowing Berryman.

I remember, lost, knee-deep in twenty-nine, laughing with Henry as bullets scorched through the living room.

I remember, watching Henry slice into her silk, stashing a leg behind the tattered recliner with a smirk.

I remember, when the round finally found you, etching a divot into your pixelated chest.

I remember, watching you sputter, cursing for a moment as Henry tucked her fingers into the silverware drawer.

I remember the flash, the crack of sinew, you are Lazarus come from the dead.

I remember giggling with Mr. Bones, as Henry slipped bits of her hair in the pantry next to the apples.

I remember, in the seven-o-clock haze, eying Henry, marking off his quarry from the night before. His list is always blank.

Junkyard Quotes 9-1-10 Wk 4

"White people, just because there aren't minorities around, you cant be racist."
-Rant and Rave section. The West Georgian Aug. 25th ed.

"Poetry is a way of taking life by the throat."
-Robert Frost

"Isn't that all poetry is? It's just a bunch of pretty lies."
-Dr. Emily Hipchen in response to a question concerning the idea of performativity in relation to autobiography as a genre.